Overview of Nuke Interface

The Node-Based Workflow

Understanding the Timeline and Viewer

Customizing the Workspace

Basic Node Operations (Merge, Transform, Color Correct)

Layer Management and Viewing

Basic Keying Techniques (Primatte, Ultimatte)

Green Screen and Blue Screen Keying

Rotoscoping with the Roto and RotoPaint Nodes

Refining Keys with Edge Handling and Spill Suppression

Color Grading Fundamentals

Using ColorCorrect and HueShift Nodes

Matching Color Between Layers

Advanced Color Grading with LUTs

Introduction to Motion Tracking

Tracking in 2D (Point Tracker, Spline Tracker)

Camera Tracking and 3D Camera Setup

Stabilizing Shaky Footage

Stabilizing Footage Using 2D and 3D Trackers

Working with 3D Nodes (ScanlineRender, Camera, Light)

Integrating 3D Models and 2D Layers

Creating 3D Geometry and Textures

Working with Lights and Shadows in 3D Space

Creating Simple Keyframe Animations

Animation with Transform, ColorCorrect, and Noise

Advanced Animation with Camera Paths

Using the TimeOffset and TimeEcho Nodes

Creating Particle Effects (Smoke, Fire, Dust)

Using the ParticleEmitter and ParticleRender Nodes

Advanced Particle Effects for Compositing

Using Particles for Simulating Weather Effects

Creating Fire and Explosions Using Particles

Simulating Water and Fluid Effects

Lens Flares and Light Effects

Adding Atmospheric Effects (Rain, Snow, Fog)

Working with Depth Data (Z-Depth)

Creating Depth-Based Effects (Fog, Depth of Field)

3D Projection Techniques

Creating Depth Maps for Compositing

Adding Light Wrap Effects for Seamless Integration

Creating Reflections and Refractions in 3D

Realistic Shadows and Highlights in Compositing

Camera Projection Mapping Techniques

Creating 3D Environments from 2D Images

Matte Painting Integration with Live-Action Footage

Creating 3D Parallax Effects

Stereoscopic 3D Compositing in NukeX

Using 3D Model Loader for Enhanced Projects

Depth Passes and Handling Stereoscopic Footage

Importing and Exporting 3D Models in Nuke

Using the Geometry and 3D Render Nodes

Applying Materials to 3D Models

Lighting Techniques for 3D Geometry

Introduction to ACES Workflow

Applying and Creating LUTs (Look-Up Tables)

Color Management in Nuke

Working with Linear and Non-Linear Workflows

Combining Multiple 3D Elements with 2D Elements

Complex Layer Management and Blending Modes

Adding Live-Action Backgrounds to CG Elements

Visualizing Complex Shots for Final Delivery

Working with Render Passes (Beauty, Diffuse, Specular)

Combining Multiple Passes for Final Composite

Multi-Layer Compositing and Fine-Tuning the Final Output

Using Cryptomatte for Seamless Rotoscoping

Output Settings for Final Render

Exporting to Different Formats (EXR, MOV)

Working with Render Queues

Preparing Nuke Projects for Delivery

Applying Course Knowledge to a Final Project

Creating a Complete Visual Effects Shot Using Nuke

Building a Portfolio with Real-World Compositing Projects

Preparing for Industry-Standard Workflows and Techniques

Introduction to ZBrush Interface

Navigating the ZBrush Workspace

Customizing the User Interface

Understanding the ZBrush Tool Palette

Introduction to Sculpting in ZBrush

Using the Standard and Select Rectangular Brushes

Understanding and Using the Draw and Edit Modes

Managing Tool Properties

Using the Move, Scale, and Rotate Brushes

Using the Transpose Tool for Manipulating Meshes

Introduction to Dynamesh for Dynamic Sculpting

Using ZRemesher for Retopology

Understanding Subtools and Tool Organization

Masking and Hiding Geometry

Sculpting Basic Shapes and Forms

Refining Details with the Standard Brush

Creating Hard Surface Sculpting

Using the Trim and Clip Brushes for Cutting Shapes

Understanding the Difference Between Polygroups and Subtools

Introduction to Polygroups and Working with them

Grouping Polygons and Selecting Areas for Sculpting

Creating Complex Shapes Using Polygroups

Using the Polygroups for Efficient Sculpting Workflow

Surface Detailing with Alpha Brushes

Sculpting with Detail Using the Surface Noise Tool

Using the Normal, Displacement, and Bump Maps

Applying Detail with the Stencils and Alphas

Introduction to Texturing in ZBrush

Using the Polygroups for Texture Painting

Painting Directly onto 3D Models Using Spotlight

Using the Projection Master for Detail Painting

Creating and Applying UV Maps

Introduction to Materials in ZBrush

Applying and Modifying Materials

Understanding Material Properties and How They Affect Sculpting

Using the Transparency and Refraction Effects in Materials

Introduction to ZBrush’s Brush System

Creating Custom Brushes

Modifying and Using Multiple Brushes Simultaneously

Saving and Organizing Brushes for Efficient Use

Creating Organic and Hard Surface Sculptures

Refining Organic Sculptures with the Smooth, Polish, and Pinch Brushes

Hard Surface Modeling with the Clip, Trim, and Slice Brushes

Using the Gizmo 3D for Advanced Mesh Manipulation

Introduction to Poseable Meshes and the Transpose Master

Rigging and Posing Models in ZBrush

Using the ZSphere for Building Base Armatures

Modifying Poses and Transitions with the Transpose Tool

Working with Layers in ZBrush

Understanding and Using Layer Masking

Creating Non-Destructive Sculpting with Layers

Blending Sculpting Details Across Layers

Introduction to Rendering in ZBrush

Setting Up Render Properties and Resolution

Creating Render Passes (BPR) for Post-Processing

Finalizing Render Settings for High-Quality Output

Exporting from ZBrush

Exporting Models for 3D Printing

Exporting Models to Other Software (Maya, 3ds Max, etc.)

Exporting Normal and Displacement Maps

Using ZBrush for Character Design and Development

Sculpting Facial Features and Anatomy

Refining Hands, Feet, and Limbs

Adding Expression and Detail for Dynamic Characters

Creating Environment Models in ZBrush

Modeling Terrain, Rocks, and Organic Backgrounds

Using ZBrush for Architectural Visualization

Introduction to ZBrush’s Rendering System

Creating High-Resolution Renders with Advanced Materials and Lights

Final Touches in ZBrush Rendering

Introduction to Advanced Techniques and Tools

Using the FiberMesh Tool for Hair and Fur Simulation

Sculpting Clothing and Accessories with the Cloth Simulation

Working with VDM (Vector Displacement Maps)

Project and Portfolio Development

Applying All Learned Techniques to a Final Project

Building a Personal Portfolio with ZBrush Models

Preparing Your ZBrush Projects for Industry-Standard Presentation